Showing posts with label Charles Hayward. Show all posts
Showing posts with label Charles Hayward. Show all posts

Sunday, 19 October 2014

This Heat

Deceit (1981) ...

Post-punk prog released on Rough Trade (ROUGH 26) ...

Deceit ...

Makeshift Swahili ...
 This Heat's sound was something like a confrontation of prog, free-jazz and contemporary electronic music (think early Stockhausen, not Kraftwerk). They often get lumped into the post-punk (or even just "punk") camp, for no better reason other than they started at the same time. They certainly sounded as if they were angry about something, and taking a glance at the lyric sheet for this album (and you'd better, as often the vocals seem more musical element than communicative force), they had fairly intense political/social statements to make-- though pinning down their position is often as hard as pinning down their sound. In any case, they were "progressive" in the literal sense of the word, and though they came up with the first wave of punk, they didn't really sound like anyone else of the time (save a few other English radicals like Henry Cow or Art Bears, occasionally)... pitchfork.com
A New Kind of water ... 
 The band got its digs in once more for "A New Kind of Water," expressing the rage that seems to have been implied throughout the record, though rarely shown directly. Phrases like, "We were told to expect more/ And now that we've got more/ We want more, we want more," offer some of the only clear ideas about the feelings behind Deceit, and the music is appropriately insistent (crashing drums, wailing group vocals, very precise, discordant guitar lines). Over the years, there have been bands to play as aggressively, or even as strangely, but very few have been able to rise from their collective influences and histories to create music so singularly distinctive and inspiring. I don't know that Hayward, Bullen and Williams were trying to inspire (and that they debated over whether to release their music at all could be evidence to support that they weren't), but the overall feeling I take away from this album is that of revolution and a very creative form of protest. That's what I call punk.
Independence ... 

This Heat live (1982?) ...  also featuring songs recorded by Camberwell Now...

Friday, 12 September 2014

Camberwell Now

All's Well (1992) ...

Group formed by Charles Hayward of This Heat... This album is a compilation of most of their releases ...

Daddy Needs a Throne ... originally released on Touch cassette Ritual ...




The songs - nostalgic, scary, quietly desperate - peer into the future to find harbour but confront only fragments of ruin. Debris and disturbance eat away at the root and corrode each shiny surface (this is mostly the musical work of the cassette switchboard). The juxtaposition of powerful, virtuosic playing and the eerie, often unidentifiable keenings, chords and constant motion of the cassettes is one of the things that make Camberwell Now so expressive of its time - when the whole social and political fabric of a no-longer-great Britain was unravelling... rermegacorp.com ...

Working Nights ...

 
Speculative Fiction ... from the album Ghost Trade ...



Following groundbreaking work with Quiet Sun and This Heat, the '70s the '80s saw Haward's songs developing in a direction not dissimilar to those of Robert Wyatt of the same early-'80s period. That is, a highly intellectual, experimental rock music that, while it has roots in the avant-garde, it relates directly to the British folk traditional song. Charles Hayward's later solo work started to return to the abstract with Survive the Gesture, Skew-Whiff, and Switch On War. These experimental and improvised albums, plus the posthumous attention This Heat received in the '90s, may have shrouded Charles Hayward's extraordinary songwriting skills, which are displayed here in their most focused and pure form... allmusic.com ...

Green Fingers ... 


factmag.com review of The Ghost Trade ...

Monday, 25 August 2014

Lora Logic

Pedigree Charm (1982) ...

Lora Logic's solo album, recorded in 'Milton Groovy, Arizona', better known as Cold Storage studio, Brixton, London ...Very playful, funky, indie pop record, totally ignored at the time.  All tunes revolve around Lora Logic's saxophone ...

Hiss and Shake ... 


Stop, Halt! ...

Phil Legg, Guitar
Charles Hayward, Drums
Benn Annesley, Bass
Lora Logic, Saxophone, Vocals


Rat Allé ...


killrockstars.com ... released a compilation of Lora Logic tracks (under the name Essential Logic: Fanfare in the Garden) which includes most Pedigree Charm tracks...

Brute Fury ...


Tuesday, 24 June 2014

This Heat

This Heat (1979) ...

First album from pre post-punk pre post-rock experimenters/innovators  ...

24 Track Loop ... 


 "we needed some way to stop it from being a heads-down jazz-rock group and turn it into something adventurous and out-reaching, with overtones of performance art"... Charles Hayward


An interview from Simon Reynolds excellent Totally Wired book ... 


Horizontal Hold ...



Not Waving but drowning ...


Monday, 23 June 2014

Quiet Sun

Mainstream (1975) ...

Phil Manzanera (Roxy Music), Bill MacCormick (Matching Mole), Charles Hayward (This Heat) split up in 1972, but reformed in 1975 to record their only album (NME Album of the Month) ...

Sol Caliente ...



 discogs.com ...


RongWrong
  •  Recorded at Island Studios, London, January 1975

Bargain Classics ...

"Informed by the progressive jazz predilections of its band members — yet rooted in the distinctive textural playing of Manzanera – the album sounds like little else of its era. Imagine if Caravan rocked (a lot) harder, and you begin to get a sense of this music.
Largely dispensing both with vocals and pop song convention, the songs on Mainstream aim for the challenging end of the pool, and nearly always hit their mark.  At times the songs feel improvised, and while tracks like “Sol Caliente” move in multiple directions at once, they’re carefully thought-out pieces. Manzanera’s guitar shrieks and screams while the band engages in some tricky, jazzy playing underneath. Like modern jazz, each player’s part is inventive and worth individual attention. Like prog, there’s power and fury in much of the playing. Yet like rock, it, well, rocks." ... Rocking caravans ...