Alphabed (1987) ...
Andrew Poppy album mixing systems music with pop-dance, from founder member and pianist with Lost Jockey ...The Amusement ...
Goodbye Mr G ...
More from Andrew Poppy ...
The idea of the Penguin Cafe came to Jeffes in a dream he had following a bout of food poisoning in 1972. It would become a sort of creative zone in which all the subconscious instincts we suppress so as to maintain order in our daily lives were allowed free and easy play. This could be a formula for chaos but, for all its unexpectedness, its juxtapositions of high classical and rustic folk, Penguin Cafe music is warm, tonal, accessible, generally brings a smile to the face in its playful and unlikely resolutions of opposites. Its benign simplicity also belies the quite astonishing lateral leaps of thinking it takes. Random example; ‘The Snake And The Lotus’ from ‘Signs Of Life’, whose main riff ascends unassumingly up and down the fretboard as if it were a flight of stairs. Yet for all its modesty, it's one of the treasures of the PCO canon. From what depths of his pysche did Jeffes pull this tiny pearl?... Quietus ...Perpetuum Mobile ...
The rightful hype about composer Holly Herndon is that she skips along the often-broad line between academic and accessible electronica-- that is, the music on her proper debut, Movement, suits a club as much as a classroom. On "Fade", for instance, she lattices complex vocal layers around a beat with a verifiably big bottom-end. "Dilato," the record's final piece, forces the issue with a completely unimaginable scheme, as baritone vocalist Bruce Rameker-- himself a classical crossover singer, having worked not only with direct Herndon predecessor Meredith Monk but also with conservatories and operas across the world-- intones the word "dilato," meaning to extend or dilate... pitchfork.com
For "Chorus," Herndon "sampled her daily browsing experience," using a software patch that recorded snippets of audio coming from her web browser and throw them together. The result is an anarchic jumble of sounds—pristine chords, garbled scraps of percussion and, of course, lots of voices, re-pitched and layered to form the titular ensemble. Its jump-cut logic and fleeting moments of static gorgeousness bring to mind Oneohtrix Point Never's recent R Plus Seven. But rather than presenting these sounds as abstract delights, Herndon wrings a song from them, a jumpy electro pop number that's propelled by its dense arrangement. As a conceptual exercise it's as striking as anything on Movement; as a piece of music it's quite a bit better... residentadvisor.net ...